Some highlights for 'Nothing Ever Happens Here':

"The Burnettes have perfected imperfection. Bringing bluesy delivery to an indie sensibility, this is a whole new generation of electric white-boy blues."

-FFWD Weekly, Calgary

"Nothing Ever Happens Here may sound like a bit of a downer at first but it does offer a silver lining in its overwhelmingly grey cloud."

-Scene and Heard, Toronto

 

Some highlights for 'We'd Better Be Dreaming':

"They make you want to listen to early K records while making your own t-shirts.
We’d Better Be Dreaming is a truly rootsy effort, minus the hippy shit..." -SceneandHeard.ca, Toronto

"The Burnettes bring a seemingly-effortless approach to music that is perfect for floating away on..." -FFWD Magazine, Calgary

"...sweet passages of narcotic beauty,all kohl eyed and mysterious like Mazzy Star or Ida at their best..." -AmericanaUK, London, ENG

"...this is a really strong sophomore album from the Burnettes, and one I'd definitely pull out and listen to on my own time." -Indieville, Toronto.

 

Indieville (Review...July 2005)

SceneandHeard.ca (Review...February 2005)

FFWD Weekly (Review...December 2004)

Americana UK (Review...October 2004)

Red Cat Records (Review....September 2004)

Scratch Records (September 2004)

Uptown Magazine (Review....August 2003)

Calgary Straight (Review....November 2002)

AmericanUK.com (Review....March 2003)

Exclaim (Review.....April 2003)

Hour Magazine (Review.....September 2002)

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"The Burnettes: Black Dog Freehouse Show"....Mote Magazine (May 2005)

"Canadian Music Week 2005: Hits and Misses"...SceneandHeard.ca (March 2005)

"In The Kitchen"...National Capital Rock (March 2005)

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"The Burnettes"...See Magazine (May 2005)

"Finding The Balance"...FFWD Magazine (May 2005)

"Back To The Castle"...FFWD Magazine (May 2005)

"Baby For Burnettes"...Calgary Sun (Article...May 2005)

"CMW: The Worthy Dozen"...Globe & Mail (Article....February 2005)

"Purveyors of NewWaveCountryKitchenPartyPop"...Wavelengths Toronto (Interview...February 2005)

"The Burnettes Take A Look Around Ontario"...Soulshine (Article...February 2005)

"Burnettes Warm Up"...Calgary Sun (Interview...September 2004)

See Magazine (Interview.....July 2003)

NMW, Vancouver (April 2003)

 

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We'd Better Be Dreaming Reviews...

Indieville, Toronto, ON (July 2005)

"I listened to The Burnettes' We'd Better Be Dreaming right after Bettie Serveert's classic Palomine, and I can't help but notice the similarities. This disc sounds a lot like Palomine's calmer material - considerably less depraved, sure, but Cora Burnette has a voice not unlike Van Dyk's, and the subtly twisted guitars also reek of familiarity. Of course, this doesn't tell the whole story - I also hear Ween, Sparklehorse, and PJ Harvey in here - from cheery romps like "Honest" and "A Word to the Stupid" to slower bits of melodrama "Falling Under" and "We'd Better Be Dreaming." This is decidedly folk-pop, but as can be expected these days, there's a strong country angle as well. Overall, this is a really strong sophomore album from the Burnettes, and one I'd definitely pull out and listen to on my own time."

-Matt Shimmer.

SceneandHeard.ca, Toronto, ON (February 2005)

"Chris and Cora Burnette are Canada’s answer to the White Stripes. Except they actually are married, they do produce real lo-fi music and they accept the fact that a bass is essential despite the lack of members.
This Vancouver-based team’s second release, We’d Better Be Dreaming, is an eclectic sound emporium of shoe-gaze, folk and alt-country styles mixed with a punk edge when Chris lends his voice to the few tracks on the album he sings on. Cora’s honest and natural vocals are reminiscent of female singers like Mary Timony and bring forth a lacklustre, unpretentious mandate that’s nostalgic of an early nineties sound.
Chris’ vocals, though scarce, sneak in a raw energy and grittiness reminiscent of Jeff Magnum on tracks like ‘littletown’. The recording is scratchy and pure, maintaining the lo-fi quality that is distinct to their sound. It’s hard to pinpoint what style direction they are trying to pursue but this naïve flair adds to the sweetness of this record. Their simplicity and innocence maintains the DIY mantra that bands like the Beat Happening initiated. They make you want to listen to early K records while making your own t-shirts.
We’d Better…is a truly rootsy effort, minus the hippy shit..."


- Jessica Russell

 

FFWD Weekly, Calgary, AB (December 2004)

"Rumour has it that Chris Burnette is a big Ween fan, but while We'd Better Be Dreaming offers some dreamy, almost hallucinogenic, melodies, don't get the brown paint yet. With Cora Burnette taking most of the vocal duties on the album, the result is much sweeter. In fact, the album bears more of a resemblance to material by a Luscious Jackson side-project called the Kostars....With acoustic guitars, jangly hooks and Cora's smoky vocals, The Burnettes bring a seemingly-effortless approach to music that is perfect for floating away on, but still stands up to a dedicated listen. Resting on a bed of tremolo, hushed brush drumming and understated guitar solos, We'd Better Be Dreaming is the perfect bridge between alt rock and alt country." ...4/5

-Jason Lewis

 

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Americana UK, London, UK (October 2004)

"At times this record really catches fire usually during the shoegazing moments where the disconnected vocals and dissonant backing lead to sweet passages of narcotic beauty,all kohl eyed and mysterious like Mazzy Star or Ida at their best...lovely packaging too."

-David Cowling

 

Red Cat Records, Vancouver, BC (September 2004)

"We tend to bemoan all the great friends and musicians that move on to other towns, but it's all part of a cycle... because other town's musicians also tend to move here. Case in point here, is the loss Calgary and Montreal should feel at the loss of (respectively) Chris and Cora Burnette.  Together this husband and wife combo come up with a good Calgary punk /  Montreal folk mix that brings out the best elements of both.  Its sassy, brassy and kickassy.  Sorry about that."

-Andrew Pearson

 

Scratch Records, Vancouver, BC (September 2004)

"Very likeable low key indie rock from this Vancouver via Calgary couple. The songs, singing, and feel is far stronger than the norm. Speaking of which, the package is a hand sewn full colour slim line gatefold cardboard that well represents the spirit and ramshackle approach of the music."

-Staff.

 

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Album Schmalbum Reviews...

Uptown Magazine (August 2003)

The debut album from husband-and-wife team Cora and Chris Burnette is a wonderfully home-made affair, rich with nonsensical sound bites and clunky background noises. When it came down to picking the final mixes, one can guess it was a toss-up between the track with the cat tipping the pot over in the background or the one with the incessant squeaky hinge on the back door. The 11 songs are sparse and at times awkward, but highlight the natural warmth of Cora¹s deep vocals. Rejecting the "folk" title, songs like "Going Blind" instead capture the indie-rock spirit of the band, throwing open their appeal to a much wider audience. The album itself is adorned with handwritten liner notes and personal photos, allowing the listener a lingering glimpse into the Burnettes' world. Catch them at the Times Change(d) on Thursday, Aug. 14.


Americana-Uk (March 2003)

the burnettes “Album Schmalbum” (go rock records 2002) Available: Now the burnettes (please note all lowercase…) have been described as everything from “hopped-up Elvis movie music” to “melodic folk punk”, which is odd, because that is exactly what they are- punks playing folk ballads, rock n roll numbers and mad 1 minutes pop/punk snippets. The core of the sound (if you pardon the punning alliteration..) is Cora Aranoff/Burnette’s half Gillian Welch/ half Siouxie Sioux vocals, which can be sympathetic and scathing, sarcastic and warm.

“Titanic” is the most amusing thing I’ve heard in weeks- a 32 second re-working of an old song about the sinking of the said ship, done out in mock-horror fairy tale punk style, relieving the knotted tension of “rot 2” which comes before it- all menacing, sloping bass, muttered/whispered lyrics and Yo La Tengo style melodic undertow. “you+me” comes as a surprise- almost Fairground Attraction-like (!) in it’s sprightly, jaunty pop, but Cora betrays greater world-weariness than I ever heard Eddi Reader emote; Chris Burnette fits in a neat Eddie Cochran style solo towards the end, which somehow sits well with the rhythms and vibe of the thing. “let’s get outtahere” is the pick of the bunch- it’s one of the slower, more serious tunes, and is essentially Cora and an acoustic backing, stripped of irony and really feeling the pain of love- sounding like Sara Cox (Portland ME version) or Kasey Chambers, and somehow I can imagine her being a minor character in a Hal Hartley movie. “were naked” is great too- a tale of small town gossip, which ends up in neat guitar picking and the story being satisfyingly lost in the music.

Overall, “Album Schmalbum” feels like a Polaroid of the burnettes at a particular moment in their evolution as a band- humour intact but writing great songs; it’ll be very interesting to see how the “difficult second album” goes, and in the meantime, it’d be fascinating to see how the whole thing holds together live. Anyways, it’s hard to imagine them not having a very successful musical future, whether this sees them remain together as a band or doing something more singer-songwriter based. MP

 

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Exclaim (April 2003)

Not an ode to the wonderfully tacky Carol, but the name of the actual couple who form one-half of the Burnettes. As evident from the album title, they have more than a passing attraction to kitsch, employed here for the most part with restraint and ingenuity. Beats for “Let’s Get Outta Here” are provided by a flicking cigarette lighter, and “The Mom Song” is a loving tribute to Cora Burnette’s own hard-workin’ mama (who likes to smoke and cuss by the way, and would mow the lawn if she had a yard).

Theirs is a very genuine garage-y aesthetic — but from the time before garage rock went and got a middle-class haircut. “I don’t mind if I go blind,” hollers front-woman Cora Burnette, in one dirty little ditty about unrequited love. She has that cigarette-edged, boozy sort of voice that complements the record’s looseness.

One of the strongest tracks, “Rot” begins all sinister and sneering, with offbeat phrasing and guitar that sounds freakishly like distorted didgeridoo. This is a splendidly raw piece of work, cheaply recorded and embellished only with a near-ubiquitous shaker. The first 500 of these babies also come with stunning artwork; the booklet itself an actual photo album of the band, complete with sticky old-school pages.

The Burnettes create a lot using very little, and while their enthusiasm for schmaltz is sometimes to their detriment (enough with the banter!) their truly bent sensibility is very enjoyable. It’s theatrical and unhinged, but in the best way, with more than a few fun-lovin’ stalker odes that Neko Case would love.

-Helen Spitzer

 


Calgary Straight August 2002

Equal parts twang, folk, pop and the occasional sneer, The Burnettes debut Album Schmalbum laces together slow tempos and alt country. Made up mostly of warm, sad songs, the Burnettes avoid the conventional, all acoustic approach, employ feedback and the occasional drum loop. While the production values aren’t necessarily high, Cora Burnette’s vocals are firmly up front.

The 11 tracks on this album avoid pretentious angst, as even the tripped out dirge ‘here me’ feels light-hearted without losing any of it’s depression inducing tone. Multi-instrumentalist Chris Burnette, bassist Chris Smith and drummer Jay Kreway make some clever musical turns along the way, and Cora’s vocals move variously from pop pleading to torch-song singer to impassioned whisper. Recently accepted to play the upcoming PopMontreal festival, look for The Burnettes around town soon.

-Derek McEwan

 


Hour Magazine (Montreal) September 2002
* (3.5 stars out of 4)

The Burnettes from Calgary. A husband and wife duo. Excuse yourself if you thought banjos and frocks, and I’ll excuse me too. This is some funny and fucked-up folk punk that is more Ween than Willie Nelson. The irreverence and eccentricity is also balanced by some Breeders-like incisiveness, some brainy blackness in both the writing and the playing (In Your Face and Rot2) courtesy of frontwoman Cora Aronoff. And there is some slow country twanginess, as if to appease our first impressions. Album Schmalbum is the twosome’s debut (they tour as a four-piece with Jay Kreway of noted Calgary pop-punk band Field Day on drums), and a fine how-do-you-do indeed.

-Jamie O’Meara

 

NMW, Vancouver * (7 stars out of 10)

Whoa. This is some goofy stuff. That's not to say I don't like it. I actually do. It's like naughty folk making naughty folk. Simple yet seductive, the female vocalist doesn't have a massive range, but sings with balls....Who cares if the technical musicianship isn't in huge heaps? This band would be fun live with other weird folky types. I'm so there.

-Paul Verge

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Live Show Reviews...

Mote Magazine - June 2005

The Burnettes

May 28, 2005, Black Dog Freehouse

My friends and I have a tradition of all gathering at the Black Dog Pub for their legendary "Hair of the Dog" shows whenever our friend Mike returns to Edmonton. On Mike's last visit to town we had the pleasure of witnessing a very intimate performance by Vancouver's The Burnettes.
The Burnettes -- consisting of husband and wife team Cora (vocal/ rhythm) and Chris (vocals/ lead) along with new drummer Mung -- rolled into town and played an afternoon gig while on their way out east to promote their latest release, We'd Better be Dreaming. The album is an enjoyable listen that combines equal parts of Alt Country and Punk Rock. We'd Better be Dreaming begins with the title track which sounds exactly like its name suggest, putting the audience into a passive, relaxed state. The album continues in the same vein until the fourth song ("Honest") which kicks it up a notch with a tune worthy of becoming a kitchen party anthem. All songs on the new album are sung by Cora with the exception of two tracks which feature Chris on vocals. The Burnettes have the ability to write about serious topics as well as not-so-serious things, including a song about their dog ("and Hana") without jeopardizing their musical integrity.
After watching the Burnettes perform it is clear that Cora and Chris' close knit relationship helps create a tight stage show, but still the two maintain a fun and at times comical nature in their live performances. The Burnettes' love for music was also apparent. Cora showed extreme commitment to her music by still performing while nearing the delivery date of the couple's first born child, of which they joked they hope will be their future bass player. Cora could hardly manage to grasp her acoustic over her protruding pregnant belly, but somehow the Burnettes managed to pull off two 45 minute sets, in which they performed songs from their new album and even treated the audience to an Elvis cover.
The Burnettes currently reside in Vancouver, but once called Calgary home. Chris also grew up in Edmonton of which he reminisced about on stage, speaking fondly about old times at the now defunct Rebar. On the new album it is evident that location is a huge influence on the band's sound with a clear country style reminiscent of the prairies fused with the laid back feel of the west coast.
The Burnettes prove that they are the full meal deal with an excellent new album and a killer live show. Make sure that you go check out the Burnettes the next time they roll through your town and watch for a new bassist joining the group in the future.

-Paul Borchert

SceneandHeard.ca, Toronto, ON (March 2005)

CMW 2005: Hits and Misses

The Burnettes found themselves in the rather unfortunate position of being the first band to hit the stage.
They still made the most of it, putting on a fun, laid-back set that had a warm, intimate feel to it. Not that they didn’t deserve a large crowd but one couldn’t help but feel the show might have lost some of its magic had the audience that gathered in the venue been any larger.
The Burnettes’ stripped down country and blues tunes were perfectly suited to Clinton’s small stage. It almost felt like we were in a friend’s living room. The adorable Cora Burnette kept up a good, witty between song banter while hubby Chris danced around the stage in his bare feet.
The songs were light and sunny with the exception being a song about the end of the world near the end of set. If anyone showed up to the venue later on in the evening it was their loss.

-Andrew Horan

National Capital Rock, Ottawa ON (March 2005)

In The Kitchen

"The Burnettes allegedly make "new wave country-kitchen pop." I prefer to say they are "woo-woo western doo-wop weirdos." Sure, they look abnormal, but actually they're strange.
Chris and Cora Burnette, along with drummer Mung, cruised through Irene's on March 2 and entertained a small crowd of friends, family and unsuspecting innocents to a number of weird stream-of-thought lyrics (mostly sung by Cora - "I guess I fucked the horse I rode in on" went one particularly memorable line), fuzzed out melody lines from Chris and shambolic drumming from Mung. Cool but odd."

-Andrew Carver

 

 

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Interviews etc...

See Magazine, Edmonton, May 2005

THE BURNETTES, Sat, May 28, 4-6 pm; The Black Dog (10425 Whyte Ave.)

"We’re all over the map, but we’re consistently all over the map," stresses Cora Burnette, one half of the husband/wife Vancouver-based combo The Burnettes (you may recall hubby Chris from strumming duties in Furnace Maintenance).
"Our official term for our music is ‘new-wave-country-kitchen-party-pop’. It’s pretty accurate, in that it’s a little bit of everything. We’re not here to blow you away with our polished pop songs."
Their descriptor also captures the freewheeling vibe on their two records, the charmingly shambolic, consciously home-produced debut Album Schmalbum and the recent We’d Better Be Dreaming. Both releases feature sweet nuggets of songcraft playfully delivered by either Cora’s velvet purr or Chris’s more deadpan vocal approach; simple tunes about relationship promises, moms, and self-doubt.
Lullabies may be on the agenda for the next Burnettes CD, since they also have another Burnette in development–the couple are expecting their first child in August.
"We’re praying for a drummer or a bass player," Cora confesses. "There are enough guitar players in the family already."
The couple is playing a few dates in their former home province while on their way to NXNE, accompanied by drummer and honorary Burnette Kreg ‘Mung’ Brow.
"Mung’s awesome. He’s this big, huge guy who drums like a shaman." She adds, "Our live show is more consistent than the records–my acoustic guitar, Chris’ distorted acoustic, and Mung drumming, but every song is still a weird hybrid of different genres."

-Christa O'Keefe

FFWD Magazine, Calgary, May 2005

Finding the Balance

Half punk, half rootsy twang, The Burnettes make beautiful music together Preview
THE BURNETTES, Friday, May 27, The Castle Pub

Rock ’n’ roll history is littered with messy breakups and stunning albums that are created as a result. It’s not as common to have a happy couple make beautiful music together in both the literal and figurative sense. The Burnettes, however, have a pretty good handle on it.
Chris and Cora Burnette met in Calgary and started dating in early 2000. They started jamming together not long after that. After the long, cold Alberta winters took their toll on Chris (who grew up in the warmer climes of North Carolina), the pair relocated to Vancouver two years ago. Together they have released two albums of songs written with the easy comfort of an old married couple, which makes sense since they are (except for the old part).
"We just started playing on the front porch, basically, and songs just sort of erupted," says Cora. (Music) is a really big part of us…. The fact that we both dig music and that we can both do it together harmoniously is a big bonus."
A bonus, indeed. Most band members (or married couples) will tell you that those relationships can be fraught with tension. Marital stress combined with rock ’n’ roll friction probably accounts for those messy breakups we were talking about earlier. But, right from the start, The Burnettes have had a balance in place that keeps them from going the way of Fleetwood Mac (relationship-wise, not music-wise).
Chris is the old-school punk part of the equation while Cora is the rootsy twang. Chris waits for serendipity while Cora is more focused on the practical. Their website goes so far as to compare them to a 50-50 poly-cotton blend (Chris being the polyester). And while they both contribute songs to their albums, Chris is about the music, leaving Cora to get down to business.
"He’s all about writing and recording and he wants to get everything down," says Cora. "He’s got heaps of songs and albums that he has recorded on his own that he never did anything with in the typical sense – meaning release – but it’s cathartic for him. It’s important for him to get things down and have things as a record. I really respect it, but at the same time there’s the balance. Someone’s gotta promote the band. So I’m the shmuck who is on the phone… trying to get the word out."
That word would be the fevered promotion of We’d Better Be Dreaming, the band’s latest effort. A charming collection of laid-back twangy pop, Cora and Chris split vocal duties over shimmering guitars and sparse percussive accents. An understated gem, it has the lazy flavour you would expect from a band that had its humble beginnings playing on the porch.
It’s clear that the two love jamming together, but now that the record has been out for a few months, The Burnettes find themselves having to put creating new music on the back burner while they break in their new drummer, Kreg "Mung" Brow, and take to the road. Piling into a van to cross Canada (whether as a couple or as a band) isn’t always a picnic, but The Burnettes have recently returned from playing showcases in Toronto at North By Northwest, and Cora assures that getting to the shows isn’t usually a problem.
"Chris and I travel really well together," she says. "Touring is fun when things go right…. When it gets hairiest is when we are not producing, when we are not being creative, when we are not jamming. That has probably been the challenge of late. We are playing a lot of shows and we made this album and we recruited a new drummer and we have been jamming with him and getting him up to speed on the songs – tightening up the live show. That leaves little time for creativity and the front-porch jamming that we really like – the roots of us."
If The Burnettes thought that they had little time to jam together now, then things could get a little hairier come this August. In true happy-couple fashion, Chris and Cora are expecting a baby. However, given the fact that they have been able to find the balance so far, it doesn’t seem as though The Burnettes have anything to worry about. The practical Cora already has a plan.
"We are hoping for a drummer," she says. "We put DRI on and the kid goes crazy. I’ve got high hopes."

-Jason Lewis

FFWD Magazine, Calgary, May 2005

Back to the Castle

When The Burnettes come back to Calgary they will be playing the recently re-opened Castle Pub. Originally slated to play the Night Gallery, some last-minute changes have forced a relocation of their show. This is the kind of thing that would typically freak out a touring band, but in the case of The Burnettes, it’s a twist of fate that fits their story perfectly. You see, that is where the tale of The Burnettes begins.
Cora Burnette relocated from Montreal to Calgary in the latter part of the last millennium and was waiting tables at the Castle when she met Chris Burnette. A transplanted Edmontonian who had lived for years in North Carolina he was a patron at the Castle who was smitten with his server. In a move that Cora likens to stalking, Chris mentioned his feelings to then proprietor (and member of Field Day) John Hebert. In true junior high fashion, Hebert mentioned it to Cora and after she gave up her no-dating-patrons rule Chris and Cora became an item. But the Castle connection doesn’t end there. A year later, after an intimate ceremony in Hawaii, The Burnettes were officially married by Hebert at the very pub that brought them together.

-Byline Jason Lewis

Calgary Sun (May 2005)

Baby For Burnettes

The Burnettes perform at The Castle Pub May 27
The last time The Burnettes returned to their hometown was to introduce their local fans to their latest offspring We’d Better Be Dreaming.

Well, their timing may be slightly off, but when Vancouver-based husband and wife country pop duo of Cora and Chris Burnette show up May 27 they’ll be bringing with them another child.
This one, though, is not yet fully formed, but an actual human being.
Cora, the vocalist for the band, is six months pregnant with their first child, which, she’s hoping, will pick up some vibrations and put them to good use when it’s old enough to walk — and old enough to exploit.
“We’re hoping for a drummer or a bass player so I imagine that this will help,” she laughs. “We’ve got to instill rhythm in this kid right from the get-go.”
As to how the baby bulge has affected things onstage, Burnette doesn’t think being a mommy-to-be has curtailed her performance. “My guitar is kind of sideways, but otherwise it’s all status quo.”
And status quo for The Burnettes right now is pretty fantastic.
Next month they’ll head to Toronto for the North By Northeast Music Festival, already with a great deal of momentum, thanks to their appearance earlier this year in Hogtown for the Canadian Music Week.
With little or no publicity push from them, they were named one of the Globe & Mail’s “dirty dozen” — the Top 12 picks of the whole CMW event.
Now, the clock is ticking on getting their third album recorded before their lives change forever.
“I want to get this thing in the can before the kid pops out because I have a feeling that I’m going to get all soft and start writing lullabies,” she says.
The Burnettes play May 27 at the newly reopened Castle Pub, where, oddly enough, the pair were married.
And if you go, do them and their future drummer a favour and smoke outside.

-Mike Bell

The Globe & Mail, Toronto, ON (February 25th, 2005)

CANADIAN MUSIC WEEK: THE WORTHY DOZEN

The Burnettes, March 3, 9 p.m., Clinton's. Couple Rock 1: Festivals should provide as many surprises as sure things. One curiosity catcher this year is this Vancouver husband-wife duo whose "new-wave folk" songs suggest screwball road trips in a junker whose wheels threaten to wobble right off. Just hope they don't play it too cute.

-Carl Wilson

 

Wavelengths Zine, Toronto, ON (February 2005)

Purveyors of: New wave country kitchen party pop (hey, that was easy!)

With the release of their sophomore album, We’d Better Be Dreaming (Go-Rock Records), Vancouver’s Chris and Cora Burnette are set to hit Toronto with songs about “friends, foes, family and the end of the world.” Matt Blair spoke with Cora just moments after she had installed MSN Messenger.

WHAT EXACTLY IS “NEW WAVE COUNTRY KITCHEN PARTY POP?” Who knows? We’ve been having a hard time describing our music, and that was a compilation of a few different suggestions. I guess we’re just trying to get across the various genres we like and see them come across in the songs. Every song is a little different, so that makes for a long description. Chris and I are very different musically in a lot of ways, and that’s just what comes out.

YOU PRESENT YOURSELF AS BEING FROM A ROOTS BACKGROUND, WITH CHRIS BEING MORE PUNK ORIENTED. WHEN YOU COME TOGETHER TO WRITE, IS IT GENERALLY THE TWO OF YOU PLAYING THOSE SAME ROLES? It’s hard to say. Every song is different. We both have a long-lived love for punk rock, but Chris has actually been playing in punk bands since he was like 12, and I have always leaned toward writing rock, folk and blues based songs. I guess that’s what happens when you’re locked in a room with just you, a guitar and a shitload of Zeppelin albums. Chris definitely adds an electrical element, and our songs are a combination of both. But I must say, they all stem from good old-fashioned down-home front porch jamming.

DO YOU FIND THAT YOUR RELATIONSHIP AFFECTS YOUR CREATIVE PARTNERSHIP? We don’t try and hide the fact that we’re together on stage or anything, and we’ve even been known to bitch at each other pre-show (okay, just me bitching at him). But what it comes down to is that we love playing together, and making music together. A huge part of it is the recording process. We do everything ourselves at home and love it. I won’t lie and say its all roses. Anyone who’s ever worked with their mate knows that it’s a lot of work and not always easy, but it’s very rewarding. Besides, Chris is my guitar hero, so what’s not to enjoy? Plus, now we have a mediator on tour with us, which is always nice! We call him “the Ref.”

THE REF? Our new drummer. His name is Kreg “Mung” Brow, and he comes from a post-industrial noise background, but we convinced him that folk music was good for the soul. And when things get ugly between me and Chris, he’ll just stare off into the distance until we shut up. It works out great.

YOUR MUSIC IS OBVIOUSLY THE PRODUCT OF A VERY INVOLVED LEVEL OF COLLABORATION BETWEEN THE TWO OF YOU. DO YOU FIND THAT ON STAGE, YOUR SUPPORTING MUSICIANS BRING A LOT OF THEMSELVES INTO THE MUSIC? Yes. We much prefer that whoever plays with us writes their own parts. And no, what you hear on the record is not necessarily what you’ll hear at a show. The albums are quite layered, with Chris and I adding and playing whatever instruments and parts we feel, and whatever noisemakers are at our disposal. But at a show, or the ones on this tour anyways, you’ll be hearing two dueling distorted acoustic guitars, and a full drum kit. No bells and whistles this time.

ON YOUR FIRST ALBUM, THERE’S MORE OF A PLAYFUL SOUND. THE NEW ALBUM, IN CONTRAST, SOUNDS A LITTLE BIT MORE SOMBRE. I’ve heard that. We’re always evolving, I guess. For this album we had a lot of songs we wanted to get out of us. It’s all cathartic in a way, isn’t it? So it just wound up that way. Chris actually calls it a really dark album, so it’s interesting that you pointed that out. I think we were experimenting more with different sounds and techniques. Hey, who knows? Maybe the next album will be all banter! I don’t know.

BY MATT BLAIR

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Soulshine - Canada's Essential Guide To Music (February 2005)

The Burnettes Take a Look Around Ontario
Published: 2005-02-25
Husband and wife team The Burnettes are half from Montreal and half from North Carolina, but now base themselves out of Vancouver. And early next week they’ll be packing things up and heading off to Ontario for a CMW performance, and making use of their time in the eastern half of the country. The “Wooly Winter Tour 2005” begins next Sunday in Toronto for Wavelength, and then it’s on to Montreal. After a stop-over in Ottawa, the band will head back to Toronto for their Canadian Music Week gig.

The Burnettes are playing their short tour in support of their newly released album “We’d Better Be Dreaming”. Put out this month, it’s the duo’s second LP of “new-wave-country-kitchen-party-pop-rock”, and the follow up to their 2002 debut “Album Schmalbum”. They’ve been compared to both Ween and Willie Nelson, and are called the Buckingham/Nicks for the modern age – but hopefully things work out a bit better for The Burnettes relationship wise.

Four – count ‘em, four – songs from “We’d Better Be Dreaming” are free to download at http://www.telusplanet.net/public/melvins/gorock/theburnettes.html.

The Burnettes’ upcoming gigs:

February 27 Toronto, ON – Sneaky Dee’s
February 28 Toronto, ON – “The First Word” (CIUT radio performance)
March 1 Montreal, QC – Café Chaos
March 2 Ottawa, ON – Irene’s Pub
March 3 Toronto, ON – Clinton’s (CMW)

Writer: Jaclyn Arndt

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The Calgary Sun, Calgary, AB (September 2004)

Burnettes Warm Up

"...The pair will venture out of the tropical paradise and return to the frosty berg they once called home in order to launch The Burnettes’ sophomore CD We’d Better Be Dreaming with a show at Broken City, September 4. Recorded in the duo’s home studio, it’s a wonderfully lazy and fuzzy indie pop outing — a la Yo La Tengo or Spent — which has been polished up with easy charm and easier melodies.
“Everything is very at-home, as you can probably tell,” Aronoff says with a laugh. “Could you hear the construction in the background? Jackhammers have been going all summer long.” As with the band’s previous release, Album Schmalbum, it’s the construction of the CD jacket itself that’s initially striking about The Burnettes’ release. It’s all homemade D.I.Y. packaging, which, itself, adds to the charm of the disc..."

-Mike Bell

 

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See Magazine article (Edmonton) July 2003

Somewhere in the gray mist that exists between musical genres, a duo called The Burnettes have set up camp. One show-goer recently described them as "the new-wavest country" that they’d ever heard; a slew of others have compared them to everything from Ween to Yo La Tengo; and still, for certain songs, the most precise categorization that can be applied (albeit hesitantly) is "folk-punk-shoegazing-pop." All right, Burnettes, you have some ’splainin’ to do.

"I’ve always sort of said [we’re] somewhere in between folk and punk, just because we use a lot of acoustic guitar but it’s not your conventional music," begins Cora Aronoff, one-half of the husband and wife team. "A lot of the songs are quite different from each others. It’s kind of a collage, I guess, which sounds really arty –we’re not an art band, I swear!"

The non-art folk-punk band came into being when Chris Burnette (who completes the duo) and Aronoff met in January 2000. Drawing from influences as diverse as Led Zeppelin, Ethel Merman, Janis Joplin, Elvis and Frank Black, The Burnettes released their first CD, Album Schmalbum last September.

As of late, The Burnettes have become a ménage-a-trois, so to speak, with the addition of multi-instrumentalist Tanya Gordon, formerly of Edmonton’s All Woman Brothers Band. It is as a three-piece that The Burnettes are hitting the road. "We have a minivan. We’re quite excited–the Ford Aerostar. We’ll see how that pans out. It’s a ’91, so God knows," jokes Aronoff. "We’ve got a shitload of instruments [six between the three of ’em]. We’ve got so much crap that we bring with us, it’s ridiculous. We bring props [because] a backdrop is critical to me, and not everywhere you go has a nice stage, so we’re going to bring our own silver, glitter stripper curtain, which I’m quite excited about."

If you have a psychic premonition that you just won’t be satisfied with seeing The Burnettes only once in Edmonton, check them out in Jasper the night before (July 16) at Pete’s.

The Burnettes w/ Geoff Berner @ Seedy’s, Thu, Jul 17

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