-
- Handbell Music
Review
- Volume 18
- by Camille Ream
- Handbells Etc.
- Edmonton, Alberta
-
-
- Come to Christmas (A Christmas Processional) - Arr.
Lamb 23 octaves Level 1
-
- This processional is based on O Come O Come Emmanuel and O
Come All Ye Faithful. The first 10 measures can be used as a
processional. The piece can be played in its entirety or
separated into the three distinct parts (Processional, O Come O
Come Emmanuel and O Come All Ye Faithful).
-
- Four Christmas Favorites -Arr. Waldrop 23 octaves Level
1, 1+, 2-
-
- The four Christmas pieces included in this music include
Jingle Bells, We Three Kings, Jolly Old St. Nicholas and Away in a
Manger (Murray tune). Each piece is on two pages and gives
ringers the opportunity to learn some basic bell techniques as
well as DS al fine and repeats with first and second endings.
-
- A Bit of Tchaikowsky's Nutcracker (March, Chinese Dance,
and Russian Dance) - Arr. Elery Rogers 23 octaves Level 2
-
- Alfred publishing has been arranging "A Bit of" series for
several years. This is the first in the series at a Level 2. The
notes in the pieces are not hard but the tempo in each of these
pieces is quick - from 112 to 144 beats per minute. Lots of
repetition in each piece so it provides ringers an excellent
change to have learn to ring faster music. Because this music is
so well known, it is important to pay close attention to these
markings.
-
- Christmas Fantasy - Arr. Watanabe 23 octaves Level
2
-
- Christmas Fantasy has a variety of snippets to full verses of
popular Christmas carols. Melodies run from treble, mid range to
bass bells. There are numerous tempo changes and meter changes as
the melodies are woven together. There are specific dynamic
markings that directors need to pay attention to so that the music
doesn't sound like "just a bunch of Christmas Carols".
-
- Angels We Have Heard on High - Arr. Eithun 345 octaves
Level 3
-
- This traditional Christmas Carol is always a popular one to
have in your repetoire. This exciting arrangement is filled with
various bells pealing - expressing the glad tidings of the angels
that first Christmas. The first verse is a traditional style
arrangement, the second verse has syncopated bass with the melody
in the middle bells and the upper bells pealing, the final verse
has full chords and a grand finale where the bells go from mp
shake to double forte in one measure.
-
- For Unto Us a Child Is Born - Arr. McChesney 345
octaves Level 3+
-
- This Handel music from the Messiah does well on handbells. All
ringer busy doing something - some times there are three or four
different things happening at the same time. It is vital that the
director studies the score carefully so that he or she knows
exactly what notes are part of which melody. The running
sixteenth notes, the steadfast tempo and the grandness of the
arrangement make all the rehearsal time worthwhile when it finally
comes together.
-
- Little Fugue - Arr. Kastner 567 octaves Level 4
-
- Another classical piece of music transcribed for bells,
Choirchimes®, Orchestral Chimes, Petit Fritzen bells, Silver
Melody Bells or some combination of the above. Many of you learned
how to play a fugue in piano - maybe you have forgotten what it
means. After searching the internet, here is a relative simple
explanation. A fugue is a composition, or compositional
technique, in which a theme (or themes) is extended and developed
mainly by imitative counterpoint. In the opening section, the
'exposition', the main theme or 'subject' is announced in the
tonic. after which the second 'voice' enters with the answer, i.e.
the same theme at the dominant (or subdominant) pitch while the
first may proceed to a countersubject. This procedure is repeated
at different octaves until all the voices have entered and the
exposition is complete. An extra statement of the subject or
answer following on the exposition is called a 'redundant entry';
a set of such entries is a 'counter-exposition'. Believe it or
not, it is both fun and challenging for the director as well as
the ringers. Add a variety of timbre and textures with other
instruments to the music and Bach will truly be impressed!
-